|
|
|
 |
|
 |
|
|
|
-
electronic mail
-
- sales at ghostweed dot com
-
for sales questions.
- webmaster at ghostweed dot com
-
for technical support or complaints about how our web site sucks.
- general at ghostweed dot com
-
for general questions or complaints about how we suck.
- submissions at ghostweed dot com
-
for submission of materials that you'd like us to consider for publication.
-
mailing list
-
If you'd like to be notified about new releases and upcoming events, join
the enemies list.
Simply send mail to enemies-subscribe at ghostweed dot com.
We'll make sure you don't get left out in the cold.
-
conventional mail
-
4728 1/2 N. Beacon #3N
Chicago, IL 60640
-
telephone
-
773-334-1751
When one telephones someone else, one never gives a
second thought to the linguistic and etymological processes
illustrated by the word telephone. To begin with,
the noun telephone is one of a class of technological
and scientific words that are made up of combining forms, in
this case tele- and -phone. These forms are
derived from classical languages: tele- is from the Greek
combining form tele- or tel-, a form of tele,
meaning "afar, far off," while -phone is from Greek phone,
"sound, voice." Such words derived from classical languages
can be put together in French or German, for example, as
well as in English. Which language actually gave birth to
them cannot always be determined. In this case French telephone
(about 1830) seems to have priority. The word was used for
an acoustic apparatus, as it originally was in English (1844).
Alexander Graham Bell appropriated the word for his invention in
1876, and in 1877 we have the first instance of the verb
telephone meaning "to speak to by telephone." The verb
is an example of a linguistic process called functional shift.
This occurs when we use a noun as a verb, an adjective as a
noun, or a noun as an adjective. Thus, we are changing the
syntactic function of the word, just as we do when we
telephone a friend.
-
for a store or e-tailer near you...
-
see our where to buy guide.
-
submissions encouraged
-
Are you concerned that the world may not be ready
your novel? Is your album so good, it gives you ebola?
We print stuff. We might print your stuff. The best way to gauge
whether we might like what you've done is to look at stuff that
we've printed in the past. If you can't finish any of it, odds are
we're not for you, and vice-versa. This isn't meant to imply that
we think our books and music are the pinnacle of human creation,
but simply that they speak to our interests. In the past we've printed
fiction and rock music,
but we'll consider other stuff as well. Surprise us.
If you think you've got something we'll like, send us a sample.
If you prefer, send us the whole thing.
Send electronic submissions to submissions at ghostweed dot com.
For textual submissions, we prefer Microsoft Word files. For music,
we prefer mp3 files. If you have something else, we're probably smart enough to sort it out,
but we make no guarantees. You can send hard copies to our postal address, but we prefer electronic submissions.
You don't want to make us mad, do you? If you do want to make us mad, please be aware
that we take no responsibility for your submission being lost in the mail or under the couch,
and we won't return any submission unless you include a self-addressed envelope with sufficient
postage.
|
|
|
 |
|
 |
|
